[for Line of Best Fit]
Rufus Wainwright: Vibrate:
the Best of Rufus Wainwright
Rufus Wainwright recently
turned forty, and as a bookend to his youth, has released a ‘Best Of’ that is
proud, passionate and impressively varied – as well as a fascinating collection
of stories. Perhaps because Wainwright’s songs seem often to be fragments of a
long memoir – and inspired by opera and musical theatre – his music is
particularly well suited to a ‘Best Of’, which joins up the strands of stories
and ideas in his various albums, to present a substantial and interesting
narrative of his life until now, and an expanse of expression and
experience.
The classics are all there:
“Hallelujah”, “Poses”, “Cigarettes & Chocolate Milk”, “Out of the Game” and
“April Fools” – and with them a repertoire of familiar stories of love, charm,
heartfelt jadedness and occasional yearning. The album’s lead single, a playful
and sultry “Me and Liza” teases elements of Liza MInelli’s own sound and
attitude, with a music hall flourish.
“Going to A Town”, meanwhile, contains the melancholia and regret that
Wainwright sings of so charmingly and uniquely: “I’m so tired of you America /
Making my own way home… I’ve got a life to live, America” - there is both
regret and an underlying sense of unrequited love, or at least a complicated
one. Romantic and political, both the capital ‘R’ and little ‘r’ – he casts an
image of a disgraced and tragic ‘home’ that he returns to and leaves in
circles. The implications of absurd, homophobic moralizing and the idiocy at
its core - “Tell me, do you really think you go to hell for having loved? /
Tell me, enough of thinking everything you’ve done is good” – make a song about
home, belonging and rejection exceptionally moving and pertinent.
The deluxe version of
Wainwright’s Vibrate contains two
discs of 34 tracks – combining songs from six studio albums as well as
seventeen rare and unreleased recordings, some live, some studio, and including
“Chic and Pointless” and “WWII” – both produced and the latter co-written by
Guy Chambers. This disc is perhaps the highlight of the album, especially for
fans or anyone who is familiar with the better known tracks of the first side.
A beautiful cover of “Chelsea Hotel No. 2” is also included on the second disc,
having been previously used in the soundtrack to the film “Leonard Cohen: I’m
Your Man”. There are many covers of this song, but Wainwright’s is somehow more
fresh and youthful than the rest. Other soundtrack songs released on Vibrate
include “La Complainte de la Butte”
(from Moulin Rouge) and “The Maker Makes” (from Brokeback Mountain). The latter
is especially charming and sad, and although he is not drunk on the record,
somehow it seems the kind of song a drunk and regretful person would sob at the
end of a wedding, full of whiskey and melodrama (in a good way).
In the best possible way, in
fact, this record is defiantly proud, and defiantly discontent. It is full of
songs of adoring and missing people, of being in love and in rage, and even if
one does not go for the overtly flamboyant and joyful tracks, there is
something quite moving about the album as a whole, and the stories wrapped up
in a familiar but increasingly intriguing, soulful voice.
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